I carefully selected areas where the texture would complement the subject matter, such as the flowing water or the rough surface of rocks. This added depth and dimension to the painting, making it more visually engaging.

To achieve the desired texture, I experimented with different fixing techniques. I used an iron to heat the paper, which helped the pigments adhere better and create a more stable texture. I also used a spray bottle to moisten the paper, allowing the pigments to blend and flow more smoothly.

In addition, I tried using sulfuric acid paper, ink, dishwashing liquid, alcohol, and salt to create different effects. The sulfuric acid paper created a rough texture, while the ink added depth and richness to the colors. Dishwashing liquid and alcohol helped to disperse the pigments and create interesting patterns, while salt created a crystallized effect.

By combining these techniques and materials, I was able to achieve a unique and visually appealing texture in my artwork. The blending of colors and the layering of textures added a sense of depth and complexity to the painting, making it more captivating to the viewer.

Overall, my aim was to create a primitive natural color with a strong gravel texture, while still maintaining a flowing feeling. Through experimentation and the use of various fixing techniques, I was able to enhance the texture and visual effect of the artwork, resulting in a more dynamic and engaging composition

润色:In order to achieve a primitive natural color I ground natural turquoise and lapis lazuli and added adhesive to create a stronger gravel texture on the paper compared to ordinary mineral pigments w

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