翻译：为了达到一种原始的自然色彩我将天然的孔雀石与青金石进行研磨并加入粘合剂使得在纸上的肌理有着比普通岩彩更强的沙砾感但仍然有一种肆意流淌的感觉用来描绘和水相关的画面很协调但如若想让晕染变的更有张力需要在固色的技法上进行改良于是做了一些试验。使用了熨斗、喷壶、硫酸纸、宿墨、洗洁精、酒精、盐等。视觉上的渐变、渐染在中国画乃至各种水性颜料绘画中都有很普遍的运用在传统的晕染中加入综合材料和新的技法会大大

In order to achieve a primitive natural color, I ground natural turquoise and lapis lazuli and added adhesive to create a stronger gravel texture on the paper compared to ordinary mineral pigments, while still maintaining a flowing feeling. This texture harmonizes well with water-related scenes. However, in order to create more tension in the blending, I needed to improve the fixing technique, so I conducted some experiments. I used an iron, spray bottle, sulfuric acid paper, ink, dishwashing liquid, alcohol, salt, etc.

Visual gradients and blending are commonly used in Chinese painting and various water-based paint mediums. By incorporating composite materials and new techniques into traditional blending, the sense of texture in the artwork can be greatly enhanced, thus improving the overall visual effect. In the end, I selectively used some of these gradient texture effects in the composition