This essay explores the characters of Kate and Julia in James Joyce's 'The Dead' through the lens of Sanmao's 'The Hollow Man'. Sanmao argues that people preoccupied with material possessions and social standing are 'hollow men' - lacking true purpose. This theory sheds light on Kate and Julia's portrayal in 'The Dead'.

Described as 'old maids,' Kate and Julia, living with their nephew Gabriel and his wife, are depicted as deeply concerned with social status and appearances. Their judgmental nature, particularly towards those deemed socially inferior, underscores this. For example, they criticize Gabriel's wife's simple dinner, finding it substandard. Their mocking of a young singer, dubbed 'Miss Death' due to her pale complexion, further demonstrates their superficiality.

In contrast, Gabriel is presented as more emotionally attuned and sensitive to life's deeper meaning. He reflects on the past and the deceased, experiencing melancholy and nostalgia. By the story's end, he gains a profound understanding of life and death, appreciating those around him more deeply.

'The Dead' can be viewed as a critique of the superficial, status-obsessed society that Sanmao describes in 'The Hollow Man'. While Kate and Julia represent this hollowness, Gabriel's emotional connection allows him to find meaning in life.


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