Calvino's prankishness creates a modern significance for the late-life romance of Charlemagne by means of retelling: the bewitched emperor transforms into a series of mysteriously desire-ridden figures, entangled in various erotic relationships, caught in an endless pursuit of futility. The old man, finally, stands as a solitary silhouette by the lake, symbolizing modern individuals seeking eternal emptiness through their attachment to natural love. Ancient legends lose their individual meaning as texts, as Calvino inscribes his own name at the beginning of this story. The reader becomes the author, and the story gains new life

翻译下面文段成英文:恶作剧的卡尔维诺以重述的方式创造了查理曼晚年罗曼史的现代意义:被魔法蛊惑的皇帝化身为一系列受离奇情欲困扰的形象在不同的情欲关系里辗转陷入无望追寻。老人最后在湖畔孤独的剪影象征着现代人在自然的爱恋中寄托对永恒性虚无的索取。古老的传说在这里失去了作为文本的单独意义卡尔维诺在这个故事的开头写上了自己的名字。读者变成了作者故事得到了新的生命。

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