In summary, this paper deeply analyzes the existentialist views of Heidegger, Camus, Sartre and others, and the themes of "death drive", "temporality", "desolation" and the path out of absurdity reflected in "The Waste Land". Through an analysis of the narrator hidden between fragmented characters in the poem and the spokesperson Tiresias, it can be seen that "The Waste Land" regards death as the premise of existence, and the two are inseparable in the poem. Through an analysis of the time concepts and historical allusions in the poem, it can be seen that the poet distinguishes between the past, present and future to make people aware of the impact of temporality on existence. Through an analysis of the two pairs of paradoxes, "desire and desolation" and "propriety and impropriety" in the poem, it can be seen that Eliot's attitude towards absurdity is to recognize and use it to achieve poetic expression. Through an analysis of the exploration of the meaning of existence in the meaningless absurdity in "The Waste Land", it can be seen that Eliot is disappointed rather than hopeless about reality. He believes that people can still find the "ascent" in the wasteland-like modern society to redeem themselves

总结来说这篇论文从海德格尔、加缪、萨特等人的存在主义观点出发对《荒原》中所体现出的向死而生、时间性、荒诞性以及走出荒诞的路径进行了深入分析。通过分析在诗中碎片化人物之间隐身的叙述者以及叙述者在诗中的代言者Tiresias可以看出《荒原》将死亡看作存在的前提在诗中二者不可分割;通过分析诗中所出现的时间概念以及引用的历史典故可以看出诗人通过区分过去现在与未来使人意识到时间性对存在的影响;通过分析诗中所

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