Ezra Pound was a key figure in the modernist movement of poetry, and his work is known for its innovative style and techniques. One of the main characteristics of Pound's poetry is its use of imagery and symbolism to create a complex and layered meaning. He often used allusions to mythology, history, and literature to convey his ideas and emotions.

Another notable feature of Pound's poetry is his use of free verse and unconventional structures. He rejected the traditional forms of poetry, such as sonnets and ballads, and instead experimented with new forms and techniques. For example, in his poem "In a Station of the Metro," he used the haiku form to create a short and powerful image:

"The apparition of these faces in the crowd;

Petals on a wet, black bough."

Pound also embraced the idea of "make it new," which was a key tenet of modernist literature. He believed that literature should break away from the past and create something entirely new and original. This can be seen in his poem "Hugh Selwyn Mauberley," which critiques the literary establishment and calls for a new kind of poetry:

"Enobarbus is dead, and Antony

And Cleopatra gone,

But let the State

Move on, if it can, with its

Roman order;

Let the State move on!"

Overall, Pound's poetry is characterized by its experimentation, innovation, and rejection of traditional forms and structures. His use of imagery, symbolism, and allusion creates a rich and complex meaning, while his embrace of free verse and new techniques challenges readers to see poetry in a new way

Ezra Pound诗歌的现代主义特点解释与举例说明英文

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