Read Guo Moruos poems 《天狗》 《炉中煤—眷念祖国的情绪》 《晨安》 《立在地球边上放号》 Based on the structural features of Whitmans poems free verse long lines lists and anaphora please discuss how Guo Moruos poems were influence

Guo Moruo, a prominent Chinese poet of the 20th century, was heavily influenced by the style of Walt Whitman. Whitman's free verse, long lines, lists, and anaphora, characterized his poetic style. Similarly, Guo Moruo's poems, such as "天狗" (Tiangou), "炉中煤—眷念祖国的情绪" (Coal in the Furnace: Nostalgic Feelings for Our Motherland), "晨安" (Good Morning), and "立在地球边上放号" (Standing on the Edge of the Earth and Shouting), also exhibit these features, showing the influence of Whitman's poetic style on Guo Moruo.

One of the most apparent structural features of Whitman's poetry is free verse. He did not use traditional rhyme and meter, but instead relied on the natural rhythm of language. Guo Moruo's poem "天狗" clearly demonstrates this feature. The poem is a long free-verse monologue, with no regular rhyme or meter. The speaker talks about the mythical creature Tiangou in a conversational tone, using everyday language to describe the creature's features and characteristics. The poem starts with a long sentence, "天狗？狗在天上？狗能吃月亮？" (Tiangou? A dog in the sky? A dog that can eat the moon?), which sets the tone for the rest of the poem. The use of free verse allows for a more natural and conversational tone, making the poem more accessible to readers.

Another feature of Whitman's poetry is the use of long lines. His lines often extend beyond the margins of the page, giving his poetry a sense of expansiveness and grandeur. Guo Moruo's poem "立在地球边上放号" also utilizes this feature. The poem starts with the line, "我站在地球边上放号" (I stand on the edge of the earth and shout), which is a long line that extends beyond the margin of the page. The poem continues with several more long lines, giving the poem a sense of grandeur and expansiveness. This technique allows for a more immersive reading experience, as the long lines draw readers into the poem and create a sense of awe and wonder.

Lists are another feature of Whitman's poetry. He often uses lists to create a sense of abundance and variety, as well as to convey a sense of the interconnectedness of all things. Guo Moruo's "炉中煤—眷念祖国的情绪" also employs this technique. The poem is a list of images and experiences that evoke feelings of nostalgia for the speaker's homeland. The poem starts with the line, "炉中煤，青石墩，墙上的钟，老屋的窗" (Coal in the furnace, stone pier, clock on the wall, window of the old house), which is a list of everyday objects that are associated with the speaker's childhood memories. The use of the list creates a sense of abundance and variety, as well as a sense of interconnectedness between the objects on the list.

Lastly, anaphora is a prominent feature of Whitman's poetry. He often repeats words or phrases at the beginning of lines to create a sense of rhythm and emphasis. Guo Moruo's poem "晨安" also utilizes this technique. The poem starts with the repetition of the phrase "晨安" (Good morning) at the beginning of each line. This creates a sense of rhythm and emphasis, as well as a sense of continuity throughout the poem. The use of anaphora also emphasizes the theme of the poem, which is the beauty and serenity of the morning.

In conclusion, Guo Moruo's poetry reflects the influence of Whitman's style in its use of free verse, long lines, lists, and anaphora. These techniques and styles promote poetic expression by allowing for a more natural and conversational tone, creating a sense of expansiveness and grandeur, conveying a sense of abundance and variety, and creating a sense of rhythm and emphasis. The examples provided show how Guo Moruo's poetry is deeply influenced by Whitman's style, and how these techniques and styles enhance the power and beauty of his poetry