This phenomenon can be attributed to what is commonly referred to as the "suspension of disbelief." It is a temporary acceptance of the reality presented by the film, despite the viewer's knowledge that it is not real. This suspension of disbelief is achieved through various cinematic techniques such as editing, sound design, and special effects, which manipulate the viewer's senses and emotions to create a sense of immersion in the film's world.

Moreover, our ability to distinguish between reality and fiction is a result of our cognitive and affective processes working in tandem. We are able to cognitively understand that the events depicted in the film are not real, while still emotionally engaging with the characters and their experiences. This allows us to feel empathy, fear, joy, and other emotions in response to the film's narrative, even though we know it is not real.

In conclusion, the suspension of disbelief allows us to engage with the film's world on an emotional level while maintaining our cognitive awareness that it is not real. This unique experience is what makes cinema such a powerful medium for storytelling and entertainment

So in viewing Rashomon we cognitively know and affectively feel in relation to a series of events that never took place that are not real that are only a film Furthermore as the very first philosopher

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