把下面这段话翻译成英文：5132古今艺术观水墨画的艺术观可概括为天人合一观生命表达观道、禅结合观阴、阳互动观和融合古今中外的混合艺术观。51321天人合一观中国的天人合一的哲学认识观表达人与自然和谐共生的关系。人与天地精神互相往来形成了传统水墨绘画主观与客观相统一的美学思想并成为中国绘画中特别是山水画的灵魂所在。在中国哲学中将人与自然结合并超于自然的境界认为是人生的最高境界被认为是真正的心理上与精

5.1.3.2 Traditional and Contemporary Artistic Views

The artistic views of Chinese ink painting can be summarized as the unity of heaven and man, the expression of life, the combination of Tao and Zen, the interactive view of yin and yang, and the fusion of ancient and modern art.

5.1.3.2.1 Unity of Heaven and Man

The philosophical understanding of the unity of heaven and man in China expresses the harmonious coexistence of human beings and nature. The interaction between human beings and the spirit of heaven and earth has formed the aesthetic idea of the unity of subjectivity and objectivity in traditional ink painting, and has become the soul of Chinese painting, especially landscape painting. In Chinese philosophy, the combination of human beings and nature and the transcendent realm beyond nature is considered the highest state of human life, and is regarded as the true realm of psychological and spiritual freedom and aesthetic realm, thus determining the close connection between Chinese art and life growth. The pursuit of forgetting oneself in nature, the unity of oneself and others, and the pursuit of the intrinsic meaning of "Tao" and the idea of the unity of heaven and man in ink painting are the inner pursuit of traditional literati ink painting, the connotation of "Tao", and the expression of the unity of heaven and man in ink painting. Therefore, the spiritual purpose of traditional Chinese ink painting is to achieve the unity of heaven and man. Of course, the advocacy of "forgetting oneself in nature and the unity of heaven and man" does not deny the subjective spirit of the artist. The active creativity of the subject is highly valued by artists. The relationship between subjectivity and objectivity is, on the one hand, the relationship between "nature as teacher, and the heart as source," and on the other hand, it also emphasizes the imagination and spiritual freedom of "imagining beautifully."

5.1.3.2.2 Expression of Life

In Chinese philosophical understanding, the universe is not a cold space of matter, but a world with the existence of life. Therefore, in the eyes of Chinese people, calligraphy and painting are living and dynamic existences, and are living cultural forms. This pursuit of the lively spirit of life is reflected in the preference for "dynamic feeling." Chinese artists want to express the lively form of art, and the unity of the lively form and the profound and vast spiritual life. In the use of ink and brush techniques, they express the rhythm of life appropriately. The pursuit of this sense of life is expressed in the ancient painters' terminology of vitality, interest, and natural interest. In Chinese ink painting, life is both subtle and simple. To paint objects vividly, the ink and brush must be used to express the living objects. In landscape painting, it expresses the high mountains and flowing water, changing smoke and clouds; in flower-and-bird painting, it embodies the vibrant and agile natural life; in figure painting, it advocates the combination of form and spirit, and vivid portrayal.

5.1.3.2.3 Combination of Tao and Zen

The "Tao Zen spirit" is a combination of Buddhist and Laozi's philosophical ideas. The "Tao Zen spirit" is highlighted in the literati paintings of "ink is the best," and has become the spiritual home of ancient Chinese literati who withdrew from the world and relieved their worries. The spirits of Confucianism, Taoism, and Buddhism form an important part of the Chinese cultural view.

In Laozi's philosophy, the "Tao" is the core, and it is interpreted from the perspective of cosmology and elemental theory. It is considered to be an absolute existence beyond the image and is empty and infinite. When artists are creating art, they need to respect nature and cannot use the concept of "man conquers nature" to control it. They need to grasp the existence of "Tao" through the unity of virtual and real art images. The Zen sect advocates "directly pointing to the human mind, seeing the nature and becoming a Buddha," emphasizing the realization from the inside out, and then pursuing liberation, and finally reaching the state of transcending the world and returning to nature. The Zen sect believes that "harmony" is the foundation on which all things exist and emphasizes the role of the "heart," affirming the unique feelings of each individual's soul.

Like the Confucian philosophy of entering the world, the out-of-the-world philosophy of Taoism and Zen also seeks to establish harmony between humans and society and humans and nature, and to establish a harmonious spirit while complementing each other internally, forming the overall ideal structure of classical Chinese aesthetics. Chinese traditional ink painting is influenced by this traditional Eastern philosophical thought, forming a painting recognition with national characteristics. Ink painting