把下面这段话翻译成英文：对当代水墨画画面形式的研究是以中国美术史为基础再结合运用图像学的第一、第二步骤前图像描述Pre-iconographical description和图像志分析。画面形式就是艺术作品的外在形式结构此章节从题材造型颜色材质和笔墨语言等方面总结例举出当代水墨画的画面形式类型：大致有新笔墨造型语言都市水墨与硬边语言平面与立体、光影描绘语言新色彩语言构成与打散语言抽象语言和新材料新

The study of the visual form of contemporary ink painting is based on the history of Chinese art, and is combined with the use of the first and second steps of imageology, pre-iconographical description and imageological analysis. The visual form is the external structural form of the artistic work. This chapter summarizes and exemplifies the types of visual forms of contemporary ink painting from the aspects of subject matter, style, color, material, and brushwork language. These types include new brushwork style language, urban ink and hard edge language, flat and stereoscopic, light and shadow depiction language, new color language, composition and disintegration language, abstract language, and new material and technique language. It should be noted that this classification method is different from traditional ink painting. Starting from the superficial characteristics of contemporary ink painting works, the elements of the visual form of ink painting are summarized. Then, various emotions and feelings expressed in the artistic works are analyzed, and their expressive methods and formal evolution styles are identified. Then, the second step of imageological analysis is applied to conduct a statistical survey of contemporary ink painting works, and to describe the expression of ink painting in different periods and different subject matters, but not to explain its deeper cultural significance. The types of visual forms of contemporary ink painting are summarized.